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Final Reflection Paper:

Given that Irmgard Keun’s fiction is only recently finding a wider and English-speaking readership, why and/or how should we value a 1920-30’s German female novelist? How should her work reshape our thinking about that time in Europe, political and social change, the lives of women, and the “life of the author”? How are you called to respond to Keun’s fiction specifically?

Length: 3-4 pages

 

Irmgard Kuen : Artificial Silk Girl

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